‘Still Alice’ and ‘Clouds of Sils Maria’ To Hold Screening at AFI Film Festival

Wonderful news guys! Both Kristen’s newest films, ‘Still Alice’ and ‘Clouds of Sils Maria’ are set to have special screening during the AFI Film Festival this upcoming November, according to the press release by AFI Film Festival. The event will runs from November 6th – 13th.

If you live near the venue, you can check AFI website to know how to get the tickets to the event.

Camp X Ray Co Stars Talks About Kristen Stewart

During several interview, Camp X Ray’ director, Peter Sattler and co stars, Lane Garrison and Payman Maadi talks about working with Kristen!

Peter Sattler interviews with Black Film.

I recently saw Kristen at one of the New York Film Festival screenings of “Clouds of Sils Maria.” Have you had a chance to see it?

PETER SATTLER: She’s great I haven’t seen Clouds yet but I’m excited to see it. She’s been doing a lot of great work and I’m honored for “Camp X-Ray” to be one of the first movies out of the gate to show this new side of her. It’s not really new because she’s been doing edgy work like this, but it’s cool for people’s perception of her to start to change a little bit.

The first thing I thought of when I saw your film was that it was like the beginning of “Zero Dark Thirty,” and we haven’t seen films like that in awhile. Where did the idea come from for this movie?

SATTLER: We have this sequence in the beginning that’s like five-minutes of “Zero Dark Thirty” and then we totally change and it evolves into a very opposite type of film, a smaller intimate character study. I’ve always been interested in Guantanimo Bay because it always seemed like such an absurd situation, such a weird thing that exists down there. I can’t believe no one’s doing anything about it. I was watching some documentaries, did some research and realized that the detainees and guards are just stuck in this room together. Nowadays it’s not gory and gross, it’s more boring and white wall and there’s just cinderblocks and institutional rules. I had the idea to do a two-hander, kind of in the vein of “The Defiant Ones” or “Hell in the Pacific” about these two people on opposite sides of a war who have to find a way together because they’re stuck in this situation. They have to find a way to co-exist.

It’s tough subject matter. How much research did you put into it?

SATTLER: Lots and lots and lots of it. While I was writing the script, which took a good deal of time, I just consumed every memoir, watched every documentary, read every article I could find to really understand the details of what life was like down there, but the even bigger challenge was to wrap your head around what does it feel like to be down there? What’s life like there, for both soldiers and detainees? They’re both going through a terrible experience. That was a greater challenge because that’s something you have to intuit from reading between the lines.

The film rests on Kristen Stewart because that’s who Americans mostly know. How did the casting come about and how did you get her to be your lead?

SATTLER: Kristen hadn’t done a movie in two years and we were fortunate enough to get it to her. She had been in a film that a good friend of mine, our executive producer David Gordon Green, had done before and so honestly she told me that she really responded to the script, she knew this girl and really wanted to take that risk and bring this character to life. Peyman Moaadi, I had not seen “The Separation” before. My casting director said, “You have to look at Peyman, this guy’s amazing.” He is, he was, and continues to be a remarkable actor, but also a really wonderful human being, as is Kristen. It was a great mixture and a great opportunity for us to have two amazing actors to work with, and their hearts are totally in the right place to make a movie like this. There’s no ego involved, everyone was just really committed to this crazy piece of art we wanted to make.

Although Kristen is more recognized for her high profiled studio films and Peter more recently for ‘A Separation,’ what did you do to get them to be seen in a different light?

SATTLER: I think with Kristen and Peyman they’re such talented actors that it was never about trying to pull anything out of them, it was more about filtering what they were throwing at me. They brings so much to the table as an actor that all I had to do was shape the performance. They’d say, “What about this?” “No, that’s not right for this scene, try this instead.” Peyman and Kristen are very different actors. Peyman has a very studious approach, he’s a writer and film director himself so he can approach these scenes in an authorial way and knows what it means for the larger story arc, whereas Kristen is more about living a true and honest moment. With her it’s mostly about trying to find ways to make the scenes feel fresh and not stale. She works best when she’s flying by the seat of her pants. It’s hard because in film you have to repeat scenes over and over again and do different takes. Kristen’s always had this side of her, like in “Runaways” or “Panic Room” or “Welcome to the Rileys.” She’s always been there, but has spent a lot of time doing popcorn movies which are great, but she has a broader reach of desires. As an actress she loves stretching herself, showing people sides of herself that she hasn’t explored.

Were their any liberties taken as far as the treatment of these individuals?

SATTLER: We worked religiously to try to get every moment as accurate as possible to the best of our ability with the detainees. We knew if we got something wrong someone would see it and they’d hold our feet to the fire on it, so we were very meticulous about getting all these details right. I talked to a couple of guards afterwards and lawyers who have been out to GITMO and they’ve all complimented us on capturing things. There’s a lot of challenges in trying to make a movie this small, you’re trying to create something out of the void, but those can be overcome with just raw will power. We also have some very intense emotional scenes in this film, and it’s a challenge to write them and to direct them, to edit them. It’s so important that the audience feel that emotion and it come across as real and genuine. If it feels false, one wrong edit, one wrong line and the whole interchange can seem false. There’s some really tense emotional scenes to pull off towards the end but you have to ’cause that’s where the real heart and soul of the movie lives.

What’s a good reason to go see “Camp X-Ray”?

SATTLER: I think people should go see “Camp X-Ray” because it’s gonna show you a side of Guantanimo Bay that you’ve never seen before. I think it’s gonna be a very eye-opening look at what it’s really like down there, but it’s also the element of, “Wanna know what life at GITMO is like? Check this out.” More importantly, this is a film with a very human message. It’s not a feel-good film, you can’t really do that in Guantanimo Bay, but it’s about how two people in the worst situation on Earth can still find a reason to make a connection. When two strangers can make a connection that is more than just superficial there’s something really magical in that. That’s what it’s all about. It’s a very tender film.

Payman Maadi interviews with Javanan.

Mehdi Zokaei: Tell us about your new film.

Payman Maadi: This film is about Guantanamo Bay prison in Cuba, where they hold terrorists. I play the character of Ali, that for 8 years I am innocent and for 8 years I am there. The guards watch us very closely to make sure that the prisoners don’t kill themselves. Kristen Stewart plays the guard who watches my character in the film. The relationship between my character and the guard speaks to humanity, not about race, religion, rank, nothing like that.

MZ: Did you know Kristen Stewart before working with her on this project? Had you met before?

PM: I knew that Kristen Stewart played in the Twilight films and is a very successful actress, but I heard that recently she wanted to steer away from those kinds of roles and take on more serious ones.
Our story began a few months ago when Peter Sattler sent me a script while I was in Iran. Because I am someone who is currently writing my own scripts, in this respect of reading scripts I am very critical. I really liked this one.

One day, he came on Skype, as I had known talked to him before. We had a lengthy discussion about the script and after an hour and he said that Kristen wanted to speak to me. Kristen and I spoke a few days later and she said that she didn’t sleep well the night before as she watched A Separation, because the film deeply affected her. She liked the film and my performance, and we continued talking.
The following week, I came to America, where I went to Peter Sattler’s house and met with Kristen along with Lane Garrison, who played in Prison Break.

MZ: What did you talk about there?

PM: Kristen said she knew a lot about me, including that I performed in a play written by the late Samuel Beckett. The more I spoke with her, I realized that she has a lot of knowledge about theater and books, and I appreciated that.

We talked about the characters in Camp X-Ray and we would talk every day, over lunches and dinners.

MZ: What do you think of Camp X-Ray director and writer Peter Sattler? And how was his film received at festivals?

PM: I knew Peter Sattler from before, a really great human. Behind any big project, a great man is standing. Peter Sattler is this kind of man. Like Asghar Farhadi, a great director, a great man, who was behind A Separation.

I am very to be in the first film by Peter Sattler. This film was at the Sundance Film Festival and they gave him a lot of great feedback for it. Critics gave great reviews for it, and now it will be going to festivals in France, England, Abu Dabi and others.

In this film, I don’t play an Iranian, I play ‘Ali’. I was glad to see that not one Iranian is imprisoned in Guantanamo.

MZ: What do you expect from Iranian audiences in regards to this film?

PM: Because this film not political and more of a human story, I expect that Iranians will come see the film as critics gave us praise for the film. I would like to see Iranians come and support this film by watching it.

Lane Garrison interviews with Showbiz Junkies.

What is it that sets Peter Sattler apart as a filmmaker? Why do you believe he’s going to have a long career?

Lane Garrison: “Well, working with directors and, especially as an actor, you want somebody that has a clear-cut vision. I mean, nowadays because of the editing process and everything else, you’ll get guys who are just technical directors, who will shoot 30 different ways just because they’re just going to let somebody choose the scene. Whereas Peter, even if you had an idea, Peter would really think about it before he’d give you his answer and usually it was, ‘No. I see it as this,’ which is great.

Kristen and I wold come to Peter like, ‘What if this?’ and he would give us the time of day and he’d be like, ‘No, I think it’s more like this.’ It’s almost like you’re going into war to begin with. You want to follow the general who’s got the vision, and he definitely has that. It’s his storytelling and I just see him doing great film after great film. In fact, I’ve been bugging him, saying, ‘Hurry up with your next one because I want to be in it!’”

This was a very emotional project so how did you deal with that on the set?

Lane Garrison: “We were dealing with some intense material and obviously there was dark and powerful stuff going on, so Kristen and I, because of that, in between takes we built a driving range at the prison. We’d play basketball. She’s a phenomenal athlete. I’m a big athlete. We would be joking in between takes just to lighten the mood because where we were shooting and what the subject matter was.

I loved working with her. She is a true professional and she is incredible in this movie. This is the best thing she’s done. It’s her best performance yet and it’s going to put her in another league.”

At the end of the day when the shoot was over, was it easy for you to fall asleep?

Lane Garrison: “You know what? It wasn’t with this one. I mean, I took a lot of memories with me, and a lot from the past too, and I’ve really lived in this guy’s shoes. Luckily it was only just under a month we shot this film, which is incredible. So luckily I didn’t have to live in that world for too long. But, yeah, I definitely took this guy home with me.

It’s funny. Kristen used to joke with me and when I’d come to set and in between takes, she’d just say, ‘You’re a little too good at this. You’re taking this a little too far.’ I had to walk away from it, from playing Randy when we were done. I really believe that people are going to respond to this film and respond to all the actors in it and the storytelling. I’m glad that I went to that dark place and I’m glad that I emotionally got there and lived in that world, so I think it definitely helped.”

You were talking about Kristen’s performance and there’s one scene in particular that was very powerful between the two of you. How difficult was that to film?

Lane Garrison: “It’s always an interesting thing because you’re filming something that’s so intimate, yet there’s 100 people watching. It would be one thing if it was like this passionate love scene but this was kind of aggressive, violent, and uncomfortable, and I think it helped us having everybody there because we wanted it to feel uncomfortable. Now, I will say that in between each take I was definitely running to the craft service cart and popping breath mints like there’s no tomorrow. [Laughing] Just to make sure Kristen’s like, ‘Oh my god, you have perfect breath!’ It was kind of funny in that sense.

But working with Kristen, she’s a young actress who is a movie star. She’s going to go so far because how trusting she is and how willing she is to go through whatever level we need to go to to get the performance. And we just went all in. It’s not in the film, but on the first take I told her to hit me as hard as she could. I said, ‘Do not hold back.’ We’ve earned that trust and she did it. I got so angry that I punched through the wall. I punched straight through the wall and went insane. I thought that for sure that would be in the movie. Everybody was clapping and going nuts and it really helped set the tone for that scene. It didn’t make the film because Peter felt like he wouldn’t have been redeemable after that, after going to that level. I was shocked by it, Kristen was shocked by it, but I understood when I saw the film. But having that happen on the first take helped us get to that intensity. It’s actually my favorite scene in the movie.”





Kristen Stewart on Tavis Smiley Show HQ TV Stills

Kristen Stewart will on on Tavis Smiley Show which the segment will be aired on October 20th on 11pm ET on PBS network in the US.

If you are unsure about the listing, you can check it out here so you won’t miss out the show. For viewers outside US, you can refer to the world clock as well.

As for now, enjoy the high quality stills of Kristen Stewart on Tavis Smiley show.

Kristen Stewart on Tavis Smiley Show - October 20th Kristen Stewart on Tavis Smiley Show - October 20th Kristen Stewart on Tavis Smiley Show - October 20th Kristen Stewart on Tavis Smiley Show - October 20th Kristen Stewart on Tavis Smiley Show - October 20th Kristen Stewart on Tavis Smiley Show - October 20th


Peter Sattler Talks About Casting Kristen As The Lead

Peter Sattler recently mentioned Kristen during his interviews for the movie ‘Camp X Ray’. Read the interview excerpt below to find out what Peter says about Kristen.

Peter talks about casting Kristen as the lead in ‘Camp X-Ray’ to London Film Girl.

How did you end up casting Kristen as the lead?

It worked out for me. I was asked what my ultimate dream cast was, as I didn’t really have anyone in mind while I wrote it. I assumed it would be micro-budget so I didn’t expect the star to be the biggest star in the universe! I chose Kristen as my dream casting choice, and thankfully once asked she agreed. I think she’s phenomenal and I was obsessed by her performance in The Runaways. She is a very open actress and so dedicated to creating a real and honest moment in her scene. She wants her character to be authentic and it was a dream to have her in this role.


Peter also spoke to The Film Stage about Kristen and Camp X-Ray.

Getting to the casting, Peyman Moaadi is such a fantastic actor in Asghar Farhadi’s film. Were you privy to A Separation and About Elly before?

I hadn’t seen either of them until our casting director suggested Peyman. I watched A Separation and I was blown away. I’ve just become obsessed with Asghar Farhadi’s work. He’s so good. Peyman is so amazing in that role. It’s actually funny because when I saw A Separation, he’s so stern and so buttoned-down and so taciturn in that film, I thought this is completely wrong. Ali needs to be loud and boisterous. Kristen’s character is the one that’s quiet and buttoned-down, but my casting director said, “Just call him. Do a video chat with him. You’ve got to meet this guy.” So I did a video chat with him in Iran and he instantly jumped on and was like, “Hey sir! How are you doing?” He’s so full of life. It spoke to his range as an actor that he could play a character so different from his own persona. Honestly, after that first call I had with him, I couldn’t get Peyman out of my mind and then when I put Peyman and Kristen on a video chat together the chemistry was instant. We were just talking with him and Kristen had since watched A Separation and we talked about him. During the video chat we were talking with him and then at the end, I remember Kristen and I just looked at eachother and she was like, “We have to give him the role.” I was like, “Yeah. We do.” We gave him the job right on the spot. We were like, “Peyman, no one else can play this role.”

Yeah, he’s great. When Kristen came on board is that what got more financing in place or was it there beforehand?

There was some in place, but I’m not even sure that would’ve been enough to get the movie going. You know, having Kristen on board helps in a lot of different ways. Not just in terms of financing, but really in terms of how people take the film seriously. If you sent a script out to an actor like Peyman Moaadi and there’s nobody in it and you’ve never heard of the director, no one is really going to take it seriously. No one is going to return your phone calls. Similarly, we were so lucky to get someone like John Carroll Lynch in this film. Just having an actor with the gravity and weight that Kristen does, it’s a vote of confidence. When you’re a first-time director, you need someone to say, “Hey, I believe in this guy and you should too.” David Gordon Green did that as an EP and Kristen when we met and said we want to do this movie together, she gave that vote of confidence as well. Even if they love the script, they’re just like who is this guy? I hope he’s not an asshole.

The film definitely has political elements to it, but I don’t think that’s really its main thrust, rather showing this relationship between two people. How did you carefully strike that balance?

It’s a real tightrope you have to walk there. I think the way that we approached it, the general mantra we had, was just to be honest, to shine a stark light on things that we saw as true and poignant without trying to make any judgement about it. We were conscious to make the film try not to manipulate the audience. I repeated that to everyone in every situation. I remember when we were working on the music with Jess [Stroup], our composer, I was like, “That cue feels like we’re manipulating too much. It feels a little too like we’re trying to make you sad about that.” So that kind of worked throughout the film as a way to be observational and austere and present an unvarnished look at the film. That goes into the cinematography. I didn’t want to do a bunch of flashy director tricks. I just wanted to, as much as possible, have it unfold in a very real, realistic manner. The second you start getting into politics you just go down a rabbit hole then half your audience is going to stop listening because you’re not saying what they want to hear. For me it was more important to try and avoid those pitfalls and instead focus on a more human story, and along the way show people a few things about Guantanamo Bay and don’t give them the answer, but at least have themselves ask the question again.

Can you discuss your experience at Sundance and acquisition, perhaps what you felt going in?

Yes, Sundance was a whirlwind, as anyone that’s been there knows. It’s a circus, man. It’s crazy. That was the first time I’d been to Sundance, ever, attending or with a film or anything. So to go there with Kristen and all the media hoopla surrounding her and all the press we were doing, it was wild. At the same time it was very interesting to me because we literally just finished the film. I did a quality check on the DCP like two weeks before Sundance happened so it still so raw and still just a part of me. It was a very weird emotional time. There’s also kind of a release. Once it’s done and you get it out there and you start to talk to people that have seen it and you read a review or talk to someone and they understand exactly what you were trying to do, it’s a really satisfying thing. It’s like, “Oh, thank God.” I had a very clear vision of what I wanted the movie to be then it just becomes a question of the execution and when you execute that, do people get it? A ton of people have and that’s just super satisfying to me.

So yeah, I was there and IFC picked it up and they’ve been awesome. We’ve got a nice little release coming out here and we did a ton of crazy press with Kristen and we’re doing a bunch right now with her. It’s been nice and it’s a real challenge too. It’s a film about Guantanamo Bay. That’s an interesting marketing challenge. How do you get people to look at something they’ve spent the last 12 years of their life ignoring? Which is part of the approach I wanted to take. Not to be this over-the-top political film but make it about people. Whether or not you share my opinions about Gitmo, or whatever your opinion about Gitmo is, you can relate to people. You can relate to any human being if you get to know them well enough. That’s really the whole point of the film.

Some filmmakers when they premiere their movie they wash their hands and don’t ever want to see it again. Have you been watching it?

I’ve seen it numerous times but I don’t like watching it any more, not because I don’t like it. I really love the film. It sounds weird, but I think sometimes that’s a hard thing for an artist to say because you have to be critical of your own work but you have to believe in it. It’s a weird split mind. The real problem with making a movie, especially making one as fast as we did, is that it’s so easy to loose objectivity. I’ve seen the movie a million times so what I want is to not watch it for a year and then watch it again and have that experience the first time I had that idea. It’s hard. When you’re behind the curtain like that you don’t get that clean and clear vision like an audience does. Also our editing was so intense. I was in the room every day every hour with Geraud [Brisson], my editor so I saw it all a billion times. So actually I’ve been saving up since I haven’t watched it in awhile. I think the next one I’m going to watch is going to be in Abu Dhabi. We’re going to the Abu Dhabi Film Festival and I’m really excited to see how the film plays to a Middle Eastern audience. That’s a really unique viewing experience that I’m quite looking forward to.

Nicholas Hoult Talks About Kristen Stewart & Filming Equals

During a recent interview of Nicholas Hoult with MTV, he talks about working with Kristen Stewart and filming ‘Equals’. Check out the interview video below.

Kristen Stewart Featured in ‘Art of Discovery’ Interview Excerpt & Photo

Kristen Stewart has recently featured in the book of ‘Art of Discovery’ where they posted a new photo from Sundance portrait. Read the below excerpt interview from the book. You can also watch video but there is no Kristen in the video.

Kristen Stewart for Art of Discovery Book

Kristen Stewart may be one of the world’s most famous movie stars, but she didn’t always want to be an actress.

She was first inspired to get into movie making because her parents were “hardworking crew members,” Stewart says in The Art of Discovery, a book of celebrity portraits by photographer Jeff Vespa benefiting the Creative Coalition. “I wanted to come home with hundreds of stories and plates of food nicked from craft services, looking like I had just been through absolute hell.”

“I thought what they did for a living was awesome,” she says.

However, a very young Stewart realized she was “too small to be a grip like my brothers were, so, I figured I’d act,” she says. “It was my only option. The problem was getting a job. I was eight years old, and wasn’t very actor-y.”

After a year of auditioning, Stewart nabbed her first major role in 2001’s The Safety of Objects. “I thought, ‘Wow this isn’t just a cool job like my parents have, this is who I am,” the Twilight star says. “That was the day my dream of being a grip or a script supervisor shattered, and my life opened beyond my wildest dreams.”

Also, if you are interested in purchasing the book, you can do so by ordering on Amazon.

Kristen Stewart Spotted With Friends in Los Angeles (10/12) Photos

I have uploaded new high quality candids of Kristen Stewart spotted with her friends in Los Angeles on October 12, 2014.